30 Years of the Squid Game – Koreans Say They’re Living the Netflix Drama

30 Years of the Squid Game – Koreans Say They’re Living the Netflix Drama

Who Knew a Blockbuster Could Be a Social Commentary?

The Squid Game Phenomenon

Remember that buzz‑worthy South Korean series that’s been hogging the top spot on Netflix worldwide? Squid Game isn’t just a binge‑worthy thriller; it’s also an eye‑opening mirror showing how starkly uneven life can be in this small, tech‑savvy country.

What’s the Plot?

The drama follows 456 desperate participants who play childhood games—think marbles and tug‑of‑war—each with a deadly twist. The ultimate prize? A glorious 45.6 billion won (about S$52 million).

Meet Gi‑hun

Gi‑hun is an everyday hero: a once‑salaried factory worker (thanks to the 2009 layoff at Ssangyong Motor) turned fried‑chicken shop owner. His life’s got a hefty debt pile—over 400 million won—to pay for his diabetic mom’s surgery and to win custody of his daughter. He’s the human embodiment of what happens when capitalism turns a paycheck into a trap.

Behind the Scenes

Writer‑director Hwang Dong‑hyuk explains that the show reflects a global truth: anyone can hit rock bottom. He even mentions how COVID‑19 pushed a lot of folks into gig‑work, fueling the drama’s relatable vibe.

South Korea: A Paradigm of Contrasts

While giants like Samsung, SK, and Hyundai keep pushing the nation to the world’s 10th biggest economy, everyday folks are grappling with soaring property costs, exploding household debt, a widening income gap, and youth unemployment—all amplified by the pandemic.

Debt — The Elephant in the Room

  • Home loans have totaled a record 1,805 trillion won as of June—almost double the 10‑year‑ago figure.
  • People are buying houses like they’re investing in a rare collectible, fearing prices will keep climbing despite cooling measures.

Income Inequality Gets a Big Boot

  • The top 20 % hold a net worth 166× that of the bottom 20 %—rising from 105× in 2018.
  • Last year’s Gini coefficient hit a 7‑year high at 0.602—a stark reminder that income is getting more unevenly spread.

Bottom Line

“Step into the Squid Game, and you’ll see what it really means to be alive in the 21st‑century Korean economy,” says Hwang. And as viewers, we might just get the feeling that survival revolves around the wild, unfair turn of a child’s classic game—only now, the stakes are electric.

From Riches to Reality: The Pandemic’s Hidden Masquerade

When the world went “lock‑down‑and‑wait”, the haves grew richer while the rest—tiny diners, corner stores, and other mom‑and‑pop shops—found their ovens cooling and cash registers empty.

Self‑Employed: The “No‑Prize” Game

  • South Korea’s 24.6 % of income earners are self‑employed, and they’re sounding the alarm: “It’s like Squid Game, except there’s no prize at the finish line.”
  • One diner owner confessed, “I’m drowning in debt that’s over 200 million won—right out of a TV drama.”

Culture Critic Says It’s a Mirror of Our Society

Jung Duk‑hyun told the Korea Herald that Squid Game is a “great metaphor for our competitive culture” and offers a clear window into the harsh truth of everyday life.

Psychiatrist Opens the Debate on Fair Play

Lee Il‑joon explained that the show probes whether everyone gets a fair shot in a cut‑throat environment, and whether people can win without stepping on rivals or cheating.

“We learn about fairness in school books, but the real world is far messier— effort doesn’t always pay off,” he said to Newsis.

Why the Show is Already a Global Fan‑Favorite

  • Premiered on September 17, it became Netflix’s runaway hit—top in the United States, Singapore, Hong Kong, and, of course, South Korea.
  • Adults went back to childhood games, swapped for life‑or‑death stakes, giving the plot its irresistible edge.

Reality Check: From Games to Everyday Inequity

Choi Han‑na, 26, was all smiles: “Back then we were all equal competitors, but now we’re unequal in every way. Those who’re fed up with that will definitely love the show.”

Meanwhile, Ms Lee So‑ra, 27, in academia, noted the series clearly shows how money rules society. “The violence is real, but I only cared about the game’s progress—no sadness, just focus.”

Originally penned for The Straits Times, this piece sheds light on how the pandemic reshaped the economic playground.