Stephanie Beatriz Fires Back at Misleading TV Portrayal of Bisexuals – Sparked Debate and Dialogue in Entertainment News

Stephanie Beatriz Fires Back at Misleading TV Portrayal of Bisexuals – Sparked Debate and Dialogue in Entertainment News

Stephanie Beatriz Breaks the Mold, Not the Internet

In a candid chat with The Independent, Brooklyn Nine‑Nine’s own Stephanie Beatriz dropped a truth bomb: while she proudly came out as bisexual back in 2016, she’s thrilled to call out the way shows have been handing out myths like charades.

Finding the Funny in a Tense Only “Sex and the City” Episode

She reminisced about a particular season of Sex and the City that tried to spotlight bisexuality with a smattering of super-s*y jokes—less sarcasm, more feel‑bad. “It sucked watching one of my favorite shows throw it at me like a punchline,” she said, hovering between eyebrow raise and a laugh‑well. “It felt yucky.

Her bottom line? Bisexual individuals are often reduced to caricatures of endless casual hooks. “People treat us as if we’re the masters of manipulation, people love to call us super‑promiscuous. I’m not some walking over‑the‑top, I’m just a lesbian woman living her life,” she told us.

The Latinx Intersectionality of a Bisexual Career Woman

With a Colombian dad and a Bolivian mom, Beatriz navigates Latinx, womanhood, and queerness all at once. She reveals how it’s tricky balancing cultural expectations—marriage, kids, “the normal.” “We’re asked to get married, have kids, get a job like any straight girl. But if you’re a woman with limited income… it’s a different story.”

Her story is especially painful considering an underdiscussed stand‑up: while her parents, nominally without theater emergent legacy, dreamt bigger than a stage show, her siblings have no one with an agent or a cast profile—she’s seen the “unknown risk” with her candid words. “Where’s my parent? Where’s the proof I can do a play? Could you give me a name?”

Final Take: The LOLs Matter, the Reality Isn’t

She said she’s have taken on gelatin. The early part of her Stage was slack. She just took it as “a mid‑future,” and no “feel‑good” approach.
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