Until Death: Haque Collective Play lifts the veil on miscarriage and grief

Until Death: Haque Collective Play lifts the veil on miscarriage and grief

When a Baby Never Arrives: The Quiet Struggle of Miscarriage

Why the silence is louder than it seems

A baby is the softest bundle of joy—arm‑wrapped, whispered over, and celebrated in every corner of a family’s life. Yet when one is lost, the aftermath can feel like a sudden, empty room where only the echo of a tiny heartbeat remains.

Even though miscarriages are common—affecting roughly one in five Singaporean women—talking about them still feels like a taboo. It’s something many just tuck away, hoping the carpet will absorb the grief.

Enter The Haque Collective

In November, the veteran director Kamil Haque’s group, The Haque Collective, is staging Until Death, a bold move to peel back that hush. Founded in 2019, the company might be new to the local stage, but they’ve already carved a reputation for raw, truth‑piercing shows like The Jugular Vein, a dark comedy that exposes the bitterness swirling around four friends.

What Until Death brings to the table

  • Original script that speaks the unspoken
  • Perspective of a young couple navigating grief
  • A chance to voice the indescribable, without smothering sensitivity

Through its honest portrayal, Until Death invites audiences to finally put a name to the quiet screams that miscarriages bring, turning the whispered sorrow into a shared conversation.

In short

The play is not only a theatrical piece but a gentle nudge toward openness—stirring both laughter and tears, and reminding everyone that it’s okay to talk about what’s often kept in the shadows.

The Haque Collective

Picture a sun‑kissed living room where a soon‑to-be dad and his future wife are having a light‑hearted “spat” that turns into an impromptu slow‑dance. Anyone can tell they are head‑to‑toe smitten.

Meet the Stars

  • Nick D’ Cruz (played by Tarun Satyakumar) – a chummy, forward‑thinking architect who’s already planning a family night cheering on his beloved Barcelona. He’s the kind of guy who can turn architectural blueprints into Netflix‑style comedy.
  • Chiara Tan (sprung to life by Kimberley Kiew) – a clever literature teacher with a knack for diving deep into ideas. She’s the intellectual yin to Nick’s creative yang.
  • But the real star of the show is the unborn son – 23 weeks along and practically already stealing the spotlight.

Why This Couple Rocks

They’re not just planning a future; they’re inventing one. Their story is a blend of love, laughs, and a dash of ambition so bright it could actually light up a city.

After the Storm: Nick & Chiara’s Rollercoaster of Loss

When the world turns upside down, love can feel like a single balloon popped—swift, startling, and a little less
unchained than it used to be.

What’s the deal?

  • Legal drama vibes: Picture “Kramer vs. Kramer” meets “Pieces of a Woman.” The play mixes courtroom chatter with raw feelings—direct hit!
  • You’re told the story through the eyes of the actors and their own heartbreak stories. It’s not just a screenplay, it’s a therapy session on stage.
  • Even the two who were meant to be the world’s most perfect couple, find the chasm set by grief wide enough to fit a boat.

Nick’s optimistic strategy

“Get over it, find a new baby!” that’s how Nick turns the page. He’s all sunshine and fosters, constantly looking for the next breakthrough in life while silent‑waiting for a chance to raise a new life in the kiddo’s memory.

Chiara’s emotional chaos

“I’m drowning. My best friend thinks I should be diving into the unknown!” She’s stuck in grief’s whirlpool, blaming Nick for encouraging movement. The deeper the sea, the more he feels the depth of their heartbreak.

Choosing the urn is a nightmare

  • “Which urn should house the pearl of a child?” it sparks a kitchen-battle that could rise to the courtroom’s walls.
  • Nick says, “Let’s choose a new story.” Chiara’s cry, “Bring it back to where we had being together.”
  • Which path? The legal lion takes its chance, with a few tear‑filled arguments about family rights.

Bottom line—Personal tragedy, mixed new love, and the whirly‑winding world of legal drama. A story inspires you to learn that heartbreak can be hard to say but you can keep learning to live life by swapping between hope and the reality we all share.

UNTIL DEATH – A Heart‑Touching Bridal of Loss and Resilience

Dates & Ticket InfoWhen: 11‑14 Nov 2021• Where: Stamford Arts Centre, Blackbox Theatre, 155 Waterloo St, Singapore• Cost: $45 a seat

  • What’s the Play About?

    “Until Death” offers a moving look at the wounds of miscarriage—those quiet, often‑unspoken feelings of shame, guilt, and isolation. The script dives deep into how we correct ourselves after loss, making it resonate with anyone who’s felt the weight of missing a child. In a world fresh from pandemic‑induced isolation, it’s a timing that could cling to our collective heart.

  • Why It Matters

  • Emotional honesty – The actors and writers do not shy from the raw parts of grief.
  • Relatable journey – Even if you’ve never experienced miscarriage, the life‑changing moments feel close enough to be almost personal.
  • A cathartic experience – Walking into the theatre can be a set‑up for a healing speech with the audience.
  • The Performing Group

  • The Haque Collective – a troupe known for tackling tough social themes.
  • Not only performers; they’re storytellers that blend realism with a touch of poet‑driven drama.
  • How to Grab a Seat

  • Book online – Visit the theatre’s official page (search “Stamford Arts Centre tickets”).
  • Pick a date – 11th‑14th Nov are all good, let’s see the log‑in for availability.
  • Pay $45 – It covers a full, life‑changing evening with an engaging safety net for grieving hearts.
  • Side Note

  • If you’re keen on art that talks to science, stay tuned for Nelson Chia’s “Electrify My World”. It’s all about letting bright‑light vibes bring humanity into the spotlight.
  • *“Until Death” isn’t a show—it’s a conversation.You’ll leave with a more vivid understanding of losing something yet processing the living you’ve got left.*